Cinematography And Camera Angles Of ‘The
Haunting in Connecticut”
Camera angles vary greatly over the coarse of any film
and are designed to make the most of a plot and to draw in the audience with
great effect. They set the mood and atmosphere of the scene and add extra
detail to an already developing plot. This is particularly important in
thriller films as cinematography can demystify plot twist and help make the
audience understand what’s going on and which objects ect. are vital to the
film.
In the film clip I analysed I noticed many
cinematography techniques but 3 stood out in particular:
Low Angle
When the character was searching for the box the
camera was positioned below the object this made the object look bigger and the
man look smaller. This realistically is not the case, by it highlights for the
audience how important this mysterious box is and the frantic expression we see
on the man’s face is highlighted with his hand movements as they fumble around
trying to search for the box.
This camera angle also makes the audience feel empathy
for the man as we can clearly see the detail of the box as the camera is zoomed
right in, and for the man not to grab it perceives him to us as helpless,
vulnerable and desperate as he can not complete the simple task of picking up a
box.
Low angles give the audience a sense of foreboding and it makes tension build so they think something is going to happen.
Low angles give the audience a sense of foreboding and it makes tension build so they think something is going to happen.
Zooming In:
I noticed this camera shot at a clear moment in the
clip, without the zooming in technique this scene wouldn’t have made much
sense. Its used when the young man is suddenly covered with cuts from a
supernatural source. The camera zooms in and out rapidly making it clear to the
audience that cuts have suddenly appeared all over the mans body, this creates
fear as the cuts suddenly appear in gruesome detail. Without the zooming in
cinematography technique we would not be able to see the cuts in such a horrific
way, which is obviously the aim of any thriller film to shock and scare the
audience. Zooming in can also focus on emotion and show characteristics. This lets the audience get closer to the characters and feel better connected to them.
Point Of View:
This angle was the hardest of the 3 to spot and took a lot of time to
put in the right category. Towards the end of the séance scene, the camera
flashes back in time; this is shown to the audience by the sudden change of
colours to a darker sinister sepia colour. The camera angle is situated so the
audience feels like a member of the circle witnessing the event. This engages
the audience more and makes them feel like an eyewitness. The camera then
becomes shakier showing some handheld qualities, as a young boy is suddenly
possessed. This is shocking to the audience as we can clearly see the members
of the family distressed and the cameras cinematography makes the audience
feels like a member of the family.
The zooms in this clip are detailed as the camera position highlights
how this demon is effecting the boy in making him have a fit and shake we are
left in suspense as the boy just lays there and the camera once again switches
to modern day. This transition is made smooth and clear by the camera and the audience
can tell exactly what’s going on.
This gave me ideas on how i would like to put my own techniques into my thriller film. I think zooming in is a key point. Its simple but can focus an entire audience onto one point and also reveal vital characteristics of a chosen character.
This gave me ideas on how i would like to put my own techniques into my thriller film. I think zooming in is a key point. Its simple but can focus an entire audience onto one point and also reveal vital characteristics of a chosen character.